¶ … Blooding by Joseph Wambaugh. Includes biographical information on the author, review of book, message in the story, proven point about the book, critique of authorship, overall impact of the book.
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"The Blooding" by Joseph Wambaugh
One cannot talk about American crime writing, whether fiction or nonfiction, without discussing the contributions of Joseph Wambaugh. A Los Angeles police veteran, Wambaugh has 15 books to his credit, four works of nonfiction and 11 novels, eight being made into feature and television films. His gritty, hyper-realistic style has influenced numerous authors for decades (Dunn 2000). Wambaugh transformed the sub-genre of the police novel into serious literature of a hard boiled nature. His first four books and his work on the 1970's television series Policy Story set the standard of realism, dialogue, and character development for subsequent writers or turned them in new directions (Marling 2001).
Born in 1937 in East Pittsburgh, Wambaugh is the son of a policeman. He joined the Marines at the age of seventeen, and married at eighteen. He received his Associate degree from Chafee College, and then joined the police and rose through the ranks from patrolman to detective sergeant, from 1960-1974. While a policeman, he received his B.A. And M.A. from Cal State University Los Angeles. Wambaugh epitomized the police force, Catholic faith, young marriage, and Marine service (Marling 2001). He then began to write about his work life and colleagues. His first novel The New Centurions, 1971, was an instant success. "Let us dispel forever the notion that Mr. Wambaugh is only a former cop who happens to write books," wrote Evan Hunter in the New York Times Book Review. "This would be tantamount to saying that Jack London was first and foremost a sailor. Mr. Wambaugh is, in fact, a writer of genuine power, style, wit and originality who has chosen to write about police in particular as a means of expressing his views on society in general" (Marling 2001). The novel follows young men through the police academy, the streets of their first assignments, and into the Watts riots of 1968, evolving into hardened and corrupted warriors who feel they have been sent to the trenches to fight a Leviathan. Police Story, an NBC television series changed the portrayal of police, showing them as human beings with neuroses, family problems and character flaws. Rather than basic shoot'em-ups, "the heroic acts they perform are just coping," said Wambaugh (Marling 2001). Later series as Hill Street Blues, Law and Order, NYPD and Homicide owe their form and tone to Wambaugh's pioneering work.
While on extended leave from the police force, Wambaugh researched and wrote the true story of young officers Ian Campbell and Karl Hettinger, who in 1963 pulled over a car and were taken hostage by a pair of small-time criminals who had just robbed a liquor store (Marling 2001). The officers were driven to a remote onion field where Campbell was killed. Hettinger felt so guilty for failing to save Campbell, he ended up having a nervous breakdown, was fired for shoplifting, and ended up farming only a few miles from the fatal onion field. Wambaugh said, "I feel I was put on earth to write this story. Nothing could ever stop me from writing The Onion Field. I felt it was my sole reason for living (Marling 2001). "The Choirboys" is the story of ten cops who meet after hours in L.A.'s MacArthur Park to relieve their stress through drinking, story-telling, and violence. This ritual defends them against the knowledge that the citizens they "protect" are only a shade different than the criminals they arrest. Wambaugh wrote this after his resignation and after reading Joseph Heller's "Catch-22." "Heller enabled me to find my voice," said Wambaugh (Marling 2001). Regarding "The Secrets of Harry Bright" Wambaugh says, "I happen to like that book better than any of the other novels, but that one was so dark, I think I had to...
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